Born and raised in Texas, I’ve called Kansas City home since 2001. I work throughout the country as a proud member of Actors’ Equity Association, and have had the good fortune to perform with some amazing collaborators.
Recent credits include The Lifespan of a Fact (North Carolina Stage Company), Art and Little Shop of Horrors (Greenbrier Valley Theatre), Barefoot in the Park (Moonstone Theatre), Dirty Rotten Scoundrels and The Mystery of Edwin Drood (Actors Theatre of Indiana); the St. Louis premiere of Indecent (Max & Louie Productions), West Side Story (Lyric Opera of Kansas City), Hairspray (Starlight Theatre); Into the Woods, Kiss Me Kate, Evita, The Music Man and A Spectacular Christmas (Musical Theater Heritage); My Fair Lady and Fiddler on the Roof (Tent Theatre); Sunday in the Park with George (Kansas City Repertory Theatre); The Fantasticks (Western Playhouse); The Normal Heart (Relevance Productions); the Midwest premiere of Andrew Lippa’s I Am Harvey Milk (Heartland Men’s Chorus); Damn Yankees, The Fantasticks, Tuna Does Vegas and G.I. Holiday Jukebox (Great Plains Theatre); The Fantasticks, Fiddler on the Roof, Master Class and Make Me a Song: The Music of William Finn (Spinning Tree Theatre); The Musical Adventures of Flat Stanley, Peter Cottontail III, and Narnia: The Musical (Starlight Theatre Children’s Series at the Kauffman Center for the Performing Arts); The House of Blue Leaves, Spoon River Anthology, Inherit the Wind, Our Town, Uncle Vanya, You Can’t Take It With You and Bloomsday: Dublin, 16 June (Equity Actors Readers’ Theatre); The Bad Seed (Kansas City Actors Theatre), Oliver Button is a Sissy (Folly Theatre Kids’ Series); and The 25th Annual Putnam County Spelling Bee (H&R Block City Stage).
I’ve had the chance to originate roles in new works, including the world premiere productions of the Jazz Age musical Nelly Don and the William Inge anthology An Otherwise Hopeless Evening. In workshops and developmental readings, I’ve created roles in the JFK drama Closer Than That, the musical adaptation of Mark Twain’s Hadleyburg, and the Vicki Vodrey comedy Exit Strategy.
Back in Texas, I had the privilege of working with Alamo City Theatre, OffStage Inc., Actors Theatre of San Antonio and other companies in such productions as Forbidden Broadway, The 1940’s Radio Hour, La Cage Aux Folles, Closer Than Ever, Into the Woods, Vampire Lesbians of Sodom, True West, The Importance of Being Earnest, Mother Courage and Her Children, Under Milk Wood and The Mystery of Edwin Drood.
In addition to theatre, I’ve done a handful of commercials, industrials and student films. I was part of the opening cast of Fiesta Texas under the operation of Opryland/Gaylord Entertainment, I produced and performed in the monthly Screenland Slams comedy events for three years, performed with the award-winning sketch comedy radio show Right Between the Ears, and serve as tenor section leader of All Souls Unitarian Universalist Church.